Entry 3 - Story
Posted on 2008-08-08 10:15:10 in category Process
The Story.
Will it be scripted? Some comics are just random and don't follow a storyline (which is fine) and you don't necessarily need a script (and some people just work better not having things scripted!) But if you DO have a lengthily story, and feel that scripting will work for you, it's always good to create a readable and consistent format for yourself and your editors (if any). I personally found it easier to have things scripted because I have a clear view of where I was going, and how I was going to get there. It was also nice because at the beginning of the story I can put in some juicy foreshadowing, that plays a role later on. Not having a script I found just made it easier to paint myself into a corner, or, 'not knowing what to do next' and to avoid the nefarious plots that seem to have you and your characters 'wandering aimlessly'.
Having a script also creates something to look forward to, like, you can't wait to get to 'that part' of the story. It gives the creator something to look forward too, which, can fuel the drive. It can also give you something else to do, but you still get something productive done. When I get bored of drawing I work on the script or thumbnails.
Here is a sample of scripting from TZH from pages 119, 120, 121:
<The girl fastens Milo's dog tags around her neck. She holds them for a moment and frowns sadly. Behind her you see that she has an infected badge on her desk as well as other infected paraphernalia. Here you can see various clippings from old newspapers about the virus tacked to the wall assembled almost in a time line-like fashion. Her hat, shovel, and her bag are also there.
You see a shot of her entire room as she adjusts the dog tags on her person.>
<Someone is walking up the stairs towards her chambers>
<Jenny suddenly sits up straight and looks at the door, it has been bolted many times and there is a chair in front of it. She gets up slowly and grabs her shovel beside her desk. She begins to approach the door slowly. There is a pause. Then, a knock>
Jenny: <startled> Who's there?
Male Voice: Zombies, lots of them.
<Jenny rolls her eyes. She opens up the door, the angle is right in front of her, as if you were the person standing in the doorway>
Jenny: Have a lot of guts coming here Jasper.
<A man with sleek black hair pushed to the side enters, he has a gun. He notices her holding the shovel, and mock laughs> Cute. <He lets himself in>
Jenny: What do you want?
Jasper: What? I can't just drop by and say hello? <Jasper waltzes about her room like he owns the place>
Jenny: <Jenny glares> People like you don’t 'just drop by,' to say hello... unless they want something.
Jasper: Well then, <Jasper sits on Jenny's bed, and then lies down, arms crossed behind hid head.> perhaps I want to thank you for not having the courage to tell your friends about my transfer to your team. Seeing their faces when I told them myself was priceless.
I created my own script format that mirrors almost that of a movie script, but instead of depicting a scene of a movie, it depicts the panels in the comic. Again, this is my way of doing things; there are probably many different formats to accomplish the same goal. Which is basically creating a clear depiction of the dialogue, scene, and mood.
There are shit-tons of tools and recourses about this topic at your library, the Internet, or heck, even that English class that you hate so much that can help you with creative writing. I am not the most seasoned writer myself, so currently I am researching and reading as well :)